Journal

Essays on writing, voice, and finishing the book you started.

The Claude / Piper experiment is a craft story, not a privacy story

Claude Opus 4.7 just identified a journalist from 125 words she'd never published. The mainstream coverage has framed it as a privacy story. For writers using AI to draft fiction, the more important implication is about voice as a measurable craft constraint.

Read the essay →

How to find your writing voice (without faking it)

Voice is the most talked-about thing in writing advice and the least well defined. A practical guide to recognising the patterns your prose is already making, protecting them from your own self-editing, and trusting what you've got.

Read the essay →